by on August 8, 2009
in art

’SkinDeep,’ a series of portraits from 2000 – 2001.

A comparison of personal surfaces and internal structures. The completeness of form paired with its physical plot or delineation. This body of work has come to light through internal, development, study, research and vision to finally assemble into its complete form. In the beginning, creating this set of work, it was specifically this completeness that I wanted to convey, the meaning and the form together, but delivered separately.

The first half of the work utilizes flat two-dimensional shapes and vibrant solid colors to emphasize negative and positive space. This technique is employed to maintain interest in the work as an abstraction up-close and as a whole at a distance. It also serves to communicate the idea of these individual elements combining to create a unified whole.

The second half is constructed of partner pieces built upon a ‘Proposed Land Use Action Signage’ using mixed media, and enamel. The departure in media from the first half of the work emphasizes depth, scale, and is looking for meaning beneath the surface. The use of line is utilized to plot the landscape for an internal message communicated by comparing the titles of each counterpart work. Thus tying in the metaphor, “the idea of the face as a map.”

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